Phoebe is currently completing the Master of Music at the Royal Academy of Music, London, under the vocal instruction of Professor Raymond Connell, with dissertation supervision by Dr Briony Cox-Williams and Dr Emily Kilpatrick. Her studies are funded by the University of Melbourne’s Joyce McKenna Scholarship, the Royal Academy of Music’s Eleanor Margaret Scholarship, and the Tait Memorial Trust. In 2024, Phoebe received First Class Honours for her Honours in Music Performance/Musicology. She holds a double degree in Music and Arts (Philosophy and Creative Writing), which fuel her passion for the intersection of language and music in opera.

Over the past year of living in the UK, Phoebe’s full operatic roles have included Venere (L’Incoronazione di Poppea) and Barbarina (Le Nozze di Figaro), as well as appearances in opera scenes as Amore (Orfeo ed Euridice), Baronin (Der Wildschütz), Poppea (L’Incoronazione di Poppea), Susanna (Le Nozze di Figaro) and Zerlina (Don Giovanni). In November, Phoebe will perform the role of Belinda in St Albans Chamber Opera’s production of Dido and Aeneas.

Outside of her studies, Phoebe works as a singing teacher at King’s College London and as a choral scholar at St Ethedreda’s Church, Fulham. She holds her B1 Certificate in German from the Goethe Institute, and A-Level equivalent French, from the Victorian Certificate of Education (Australia).

In Australia, Phoebe’s musicality has been recognised through the H. Holt and R. Prochazka Award at the National Liederfest (2022) and the Gabrielle Roberts Memorial Scholarship at Eisteddfod by the Bay (2023). Phoebe performed extensively with Opera Scholars Australia (2021–2023) and with the Choir of Trinity College (2018–2020), where she travelled internationally to Europe in 2018 and North America in 2020.